格鲁上师图集（二）

肃火斤

附件34.

Teacher (Lama) - Dalai Lama I, Gendun Drub
(item no. 58988)

Tibet Gelug and Buddhist Lineages Ground Mineral Pigment on Cotton Collection of Dr. David Nalin

肃火斤

附件35.

Teacher (Lama) - Tsongkapa
(item no. 59690)

Tibet Gelug and Buddhist Lineages Collection of Private

肃火斤

附件36.

Teacher (Lama) - Tsongkapa
(item no. 59691)

Tibet Gelug and Buddhist Lineages Collection of Private

肃火斤

附件37.

Teacher (Lama) - Dalai Lama III, Sonam Gyatso
(item no. 61278)

Tibet Gelug and Buddhist Lineages Ground Mineral Pigment Collection of Private

肃火斤

附件38.

Teacher (Lama) - Dromtonpa
(item no. 61314)

Tibet 1800 - 1899 Gelug and Buddhist Lineages Ground Mineral Pigment on Cotton Collection of Private

Dromtonpa Gyalwai Jungne, 1004(?)-1064, ('brom ston rgyal ba'i 'byung gnas) was born in Tolung (stod lung) in 1004 or 1005, into the Drom ('brom) clan. His father was Kushen Yagsherpen (sku gshen yag gsher 'phen) and his mother was Ku'oza Lanchigma (khu 'od bza' lan gcig ma). He was given the name Chopel (chos 'phel). As a youth he studied reading and writing for four years with Geshe Yungcho (dge bshes g.yung chos mgon). He took lay vows with Nanam Dorje Wangchug (sna nam rdo rje dbang phyug, 976-1060), who gave him the name Gyalwai Jungne. At the age of nineteen he studied Madhyamaka, rituals, and Nyingma tantra with a lama with the title Drumkyi Khenbu Chenpo Setsun (grum gyi mkhan bu chen po se btsun). With Pandita Smriti (paNDita smri ti) he studied Sanskrit and grammar. He never ordained, but apparently left home after a dispute with his step-mother. In 1042, at the age of thirty eight, he went to Purang (spu hrangs) to meet Atisha Dipamkara and became his chief Tibetan disciple. Alternately, the two met in Panyul ('phan yul). Dromtonpa has come down in history as both an enforcer of Second Propagation ethical standards and a holder of Atisha's tantric lineage. According to the Blue Annals, Dromton was charged with expelling tantric practitioners from Atisha's audience, this despite the fact that at Samye Chimpu (bsam yas 'chims phu) Atisha gave Dromton initiation into tantric systems, including the Doha tradition of Bengal. The Blue Annals credits him with revising the translations of both sutra and tantras, including the Ashtasahastrika Prajnaparamita, and the Jnanasiddhi Tantra. Following Atisha's death in 1054, Dromton took many of Atisha's disciples and returned to Tolung. While there he was invited by a number of local lords to Reting (rwa sgreng), where, in 1057, at the age of fifty-four, he constructed a monastery, primarily under the patronage of Trangka / Pangka Berchung ('phrang kha / phang kha ber chung). Despite remaining a layman, he was renowned for his teachings on monastic precepts. Dromton's three chief disciples were Potowa Rinchen Sal Chogle Namgyal (po to ba rin chen gsal phyogs las rnam rgyal, 1027-1105), Puchungwa Shonnu Gyaltsen (phu chung ba gzhon nu rgyal mtshan, 1031-1106) and Chennga Tsultrim Bar (spyan snga tshul khrims 'bar, 1038-1103). Dromtonpa died at Reting in 1064 at the age of sixty.

Dromton Gyalwai Jungne (1004(?)-1064): the principal student of Jowo Atisha. This composition belongs to a much larger painting set depicting the teachers of the Lamrim (Graduated Path) following the tradition of Je Tsongkapa.

Currently there at least thirteen paintings known to be extant from this very large set of compositions. Only two of the thirteen are in a museum collection. (See Main Page and Outline Page).

肃火斤

附件39.

Teacher (Lama) - Dalai Lama VI, Tsangyang Gyatso
(item no. 65384)

1700 - 1799 Ground Mineral Pigment, Red Background on Cotton Collection of Rubin Museum of Art

Dalai Lama VI, Tsangyang Gyatso (1683-1706/1746)

Born in 1683, The Sixth Dalai Lama, Tsangyang Gyatso was perhaps the most popular Dalai Lama. The discovery of Tsangyang Gyatso was kept a secret by the regent Desi Sangye Gyatso until the construction of the Potala Palace was complete. Tsangyang Gyatso was in no way a model of his predecessor The Great Fifth; he enjoyed the life of a layman and is best known for his songs and poems, which remain popular to this day. Painted in the tsal tang style, red background with gold outline, this composition includes the hand and footprints of the Sixth Dalai Lama.

肃火斤

附件40.

Teacher (Lama) - Tsongkapa
(item no. 65799)

Tibet 1700 - 1799 Gelug and Buddhist Lineages Ground Mineral Pigment on Cotton Collection of Rubin Museum of Art

Lord Tsongkapa, Lobsang Dragpa (1357-1419): founder of the Gelugpa School, emanating from the heart of the bodhisattva Maitreya.

In the appearance of a monastic scholar with a yellow pandita hat and the orange patchwork robes of a fully ordained monk he performs with both hands the mudra of Dharma teaching at the heart while holding the stems of two lotus flowers blossoming at both ears supporting on the right a wisdom sword and at the left a book. With the two legs folded in vajra posture he sits upon a moon disc and pink lotus seat surrounded by an ornate gold nimbus of wishing jewels and rainbow spheres. At the front, to the right and left of a begging bowl, sit the two close disciples of Je Rinpoche, Gyaltsap Dharma Rinchen (1364-1432) and Kedrup Geleg Pal Zangpo (1385-1438). Both wear monastic robes and yellow hats each holding a book in the left hand while the right hands assume postures of explication of the teachings. "From the heart of the Lord of the hundred gods of Tushita, on the peak of a cloud, bright white like a mound of fresh yogurt, Lord of Dharma, Omniscient Lobsang Dragpa, together with sons; please come here." (Gelugpa liturgical verse). At the top center seated in a western style with the legs in front is Maitreya flanked on both sides with Dipamkara Atisha to the left and Tsongkapa to the right. Below them at the right and left are Vajrabhairava Heruka and Akshobhya Buddha. At the top on the viewers left are the three Buddhas of the Three Times: Shakyamuni, Dipamkara and Maitreya. On the right are the Three Long-life Deities: Amitayus, White Tara and Ushnishavijaya. At the lower left is Green Tara accompanied by Marichi and Ekajati. At the lower left is Chaturbhuja Avalokiteshvara with two accompanying figures. At the bottom center is wrathful Vajrapani surrounded by flames. On the left is the protector Yama Dharmaraja, blue-black in colour, with the head of a buffalo, holding a bone stick and lasso. Embraced by the consort Chamundi he rides on the back of a blue buffalo surrounded by flame. On the right is White Shadbhuja Mahakala with one face and six hands. Jeff Watt 10-2007 Front of Painting
English Translation of Inscription: No inscriptions.

肃火斤

附件41.

Teacher (Lama) - Tsongkapa
(item no. 65845)

China 1700 - 1799 Gelug and Buddhist Lineages Ground Mineral Pigment on Cotton Collection of Rubin Museum of Art

Tsongkapa surrounded by life-story narrative scenes. At the top is the Red Fort of Songtsen Gampo and at the bottom is the Lhasa Cathedral, Tsuglhakang (Jowo Lhakang). This painting belongs to a set of unknown number and does not conform to the standard set composition created by Jamyang Shepa in the early 1700s. (This painting has no brocade mount).

daniel_taurus

肃火斤 发表于 2012-6-6 09:13
附件39.

Teacher (Lama) - Dalai Lama VI, Tsangyang Gyatso

第一次见到这样风格的六世的唐卡，看来是孤陋寡闻了

daniel_taurus

肃火斤 发表于 2012-6-6 09:24
附件41.

Teacher (Lama) - Tsongkapa

是说这样的风格迥异的祖师唐卡构图是由嘉木样一世创制的吗？

肃火斤

附件42.

肃火斤

附件42.

Teacher (Lama)
(item no. 65916)

Tibet 1800 - 1899 Gelug and Buddhist Lineages Ground Mineral Pigment on Cotton Collection of Rubin Museum of Art

Gyaltsab Yeshe Lobzang Tanpa'i Gonpo, the 8th Tatsag (rgyal tshab ye shes blo bzang bstan pa'i mgon po, 1760-1810). At the top center is Jampal Gyatso, the 8th Dalai Lama (1758-1804). On the left is the 4th Panchen Lama, Tanpa'i Nyima (1782-1853). On the right is Tadrag Pandita Ngagwang Chopel (1760-1839). Below that to the left is Akshobhyavajra Guhyasamaja in Heruka form. On the right side is Heruka Chakrasamvara. At the left side is the monastery of Podrang Ganden Namgyal. On the right side is Legkyob Ling. At the bottom center is the worldly protector deity Activity Pehar, white in colour, with three faces and six hands, riding atop a snow lion. Jeff Watt 8-2011

肃火斤

附件43.

Teacher (Lama)
(item no. 65918)

Tibet 1800 - 1899 Gelug and Buddhist Lineages Ground Mineral Pigment on Cotton Collection of Rubin Museum of Art

Baso Chokyi Gyaltsen, 1st Tatsag (ba so chos kyi rgyal mtshan 1402-1473). He was also the 6th Ganden Tripa. At the top left is Heruka Vajrabhairava. At the right side is Kedrubje Geleg Palzang (1385-1438). At the bottom left is the inner manifestation of Yama Dharmaraja. The monastery to the left is Lhanwa Sogon. Jeff Watt 8-2011

肃火斤

附件44.

Teacher (Lama)
(item no. 65919)
Tibet

1800 - 1899

Gelug and Buddhist Lineages

Ground Mineral Pigment on Cotton

Collection of Rubin Museum of Art



Jetsun Lhakyab, 2nd Tatsag (rje btsun lha skyabs la na mo 1474-1508).

At the top left is Gyalwang Pagpa Lha (1439-1487). On the right is the meditational deity Heruka Hevajra. At the bottom right is Yama Dharmaraja in his secret appearance. The monastery at the lower left is Chamdo Jampa Ling.

Jeff Watt 8-2011

肃火斤

附件45.

Teacher (Lama)
(item no. 65920)
Tibet

1800 - 1899

Gelug and Buddhist Lineages

Ground Mineral Pigment on Cotton

Collection of Rubin Museum of Art



Liyul Chokyi Gyalpo, 3rd Tatsag (li yul chos kyi rgyal po la na mo, 1509-1526).

At the top left is Avalokiteshvara, white in colour. On the right side is Maitreya, orange in colour and holding a water flask. At the bottom left is Vaishravana, Guardian King of the North.

Jeff Watt 8-2011