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图片来自 http://www.himalayanart.org/goog ... .&sa=Search#902

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Shri Hevajra Panchadaka Mandala (Tibetan: pal gye pa dor je rig du kyil kor. English: The Combined Glorious Hevajra Five Lords Mandala) with 49 Deities from the Vajrapanjara Tantra. Bibliographic reference: Arya Dakinivajrapanjara Mahatantrarajakalpa Nama

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Shri Hevajra and the Eight Goddesses (Tibetan: pal gye pa dor je lha mo gye), the principal Tantric deity of the Sakya School.

Semi-wrathful, dark blue in colour with eight faces, sixteen hands and four legs he has placed on each side of the main face three more faces with the eighth situated centrally above, the yellow hair flows upward like flames. The sixteen hands each hold a skullcup. The right hands hold eight different animals and the left hold eight worldly gods. The first pair folded at the heart embrace the consort. Adorned with a crown of skulls, bone ornaments and a necklace of fifty freshly severed heads he has the appearance of being slightly wrathful and slightly peaceful. Standing with the right legs down and the left drawn up in a dancing posture above the four maras, a sun disc and lotus seat, he is completely surrounded by the flames of pristine awareness.

The consort vajra Nairatmya, black in colour, has one face and two hands holding a curved knife and skullcup. Adorned with bone ornaments and a necklace of fifty skulls she stands with the right leg down and the left raised to embrace the partner.

At the top center is the primordial buddha Vajradhara with Virupa, Sonam Tsemo (1142-1182) and Sakya Pandita (1182-1251) to the left. At the right are Sachen Kunga Nyingpo (1092-1158), Trakpa Gyaltsen (1147-1216) and Chogyal Pagpa (1235-1280). On the left, slightly below, is the lama Sakya Champa Kunga Sanggye Gyaltsen, with the right hand performing the mudra of blessing and the left holding a book in the lap, wearing a pandita hat with the lappets folded above. Below is the wrathful bodhisattva Vajrapani Bhutadamara, remover of obstacles, with one face and four hands. On the right side is the lama Naljor Champa Zangpo with the right hand in the mudra of generosity and holding a vase in the lap with the left, wearing a pandita hat with lappets folded above. Below is the tutelary deity Vajrayogini, red, with one face and two hands holding a curved knife and skullcup.

At the bottom center is Panjarnata Mahakala, very wrathful in appearance, with one face and two hands holding a curved knife and skullcup with a stick placed across the forearms. To the left is Brahmarupa Mahakala, seated, holding a shinbone trumpet and skullcup. In the left corner is the Direction Guardian Vaishravana with one face and two hands holding a victory banner and a jewel spitting mongoose, riding a snow lion. To the right is Shri Devi with one face and four hands holding a sword, skullcup, spear and trident, riding a mule. In the right corner is the god of wealth Jambhala, yellow, with one face and two hands holding a bijapuraka fruit and a mongoose.

Shri Hevajra is a tutelary deity of the Anuttarayoga Non-dual classification. From the many different types of appearance this form is known as the 'Essence Hevajra' as taught in the root Tantra.

Lineage: Vajradhara, Vajra Nairatmya, Virupa, Kanhapa, Damarupa, Avadhutipa, Gayadhara, Drogmi Lotsawa, Seton Kunrig, Shangton Chobar, Sachen Kunga Nyingpo (1092-1158), etc.

The painting style is called 'black scroll' (nag thang); the background is black and the deities are drawn as an outline, often in gold, with more or less colour and detail added at the discretion of the artist. The names of the lamas at the top and the row of deities along the bottom are written in fine gold letters beneath each.

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Hevajra, Heruka (Tib.: drag tung gye pa dor je).

"Shri Heruka, with a body blue in colour, one face and two hands. The right [hand] holds aloft a flaming vajra. The left holds a blood filled skullcup at the heart [and] a katvanga [in the bend of] the elbow, adorned with a pendant and three prongs. Having three round red eyes and slightly bared fangs. Brown hair bristling upwards. Adorned with a garland of human heads and bone ornaments. Wearing a garment of human skin and anointed with body ashes. Standing on a corpse seat in a dancing manner with the right leg extended in a half [vajrasana] posture." (Konchog Lhundrub, 1497-15557).

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Painting Set: Sakya Monastery

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Shri Hevajra Nine Deity Mandala (Tibetan: pal gye pa dor jei lha gui kyil khor) according to the Lamdre system of the mahasiddha Virupa. Bibliographic reference: Hevajra Tantraraja Nama. See an explanation of the Hevajra Mandala Elements.

Within the center of the two dimensional circular diagram (mandala) representing the top view of a three dimensional celestial palace and surroundings is the deity Shri Hevajra and consort with eight attendant goddesses.

Along the top register starting at the left are the lineage of teachers beginning with Vajradhara, Nairatmya, Virupa, Kanha, Damarupa, Avadhutipa, Gayadhara, Drogmi Lotsawa, Seton Kunrig, Shangton Chobar, Sachen Kunga Nyingpo, Sonam Tsemo, Dragpa Gyaltsen, Sakya Pandita, Chogyal Pagpa, etc.

At the bottom left is a donor figure with attendants. At the bottom right are the principal protectors of the Sakya Tradition, Panjara Mahakala, Brahmarupa Mahakala and Shri Devi.

Back of Painting:
Mantra (Skt.): a series of sounds believed to embody the nature of a deity. The three doors of action are the body, voice and mind. It is through the actions of these three that good actions and bad actions are believed to be produced. Mantra recitation forms part of the daily practice of Tantric Buddhists. The most well know mantra is that of the deity Avalokiteshvara and his mantra om mani padme hum, an epithet of the deity meaning jewelled lotus. Written mantra are commonly found on the reverse of a painting placed there as a record of the painting having had a brief or lengthy sanctification blessing or ritual (Tib.: rabne). This painting of Hevajra has elaborated circles of mantra written on the back.

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